
Seattle-based hip hop mastermind Kublakai has been around for a while. He’s actually one of my favorite artists to listen to right now. I’ve been a fan ever since I heard an EP that he did called Lights For The Dark Nights. Word is he’s pretty big news in Japan, but most definitely slept on and under-appreciated out here in the Pacific Northwest. He’s worked with some of the best talent in the hip hop scene from Seattle, including his partner in crime The MC Type, Grynch, and the recent Rhymesayers success story Grieves. Kubie has been a little MIA from the game, but is making a strong comeback with the release of The Basics 2, a follow-up to his 2008 debut The Basics. I had the fortunate luck of copping a pre-release sampler of the new album before it’s release, which was… yesterday. You can go cop the album for FREE right here. So go do it. Here’s what I thought about the record:
Kublakai is most definitely an extremely skilled and diverse lyricist blessed with an equally dope delivery. This guy raps slow, raps fast, and sometimes doesn’t even rhyme and still makes it sound legit. He tries to sing too. Granted he doesn’t have the best voice for singing on the planet, but shit, no one got mad at Tom Petty. (Don’t trip Kubie, I try to sing on some of my songs too and I’m even worse at it.) He can put out shit that makes you laugh, makes you think, makes you reminisce, and some shit that pulls on those emotional issues.
He starts the album off with a strong intro track, brilliantly showcasing his ability to pack a verse full of punchlines, metaphors, and wordplay. Oh, and he released a music video for it, too. Then he drops into a joint called Hatin’ is so Obvious, which is possibly the realest shit he’s ever wrote (no cliche pun intended). This might actually be my favorite track off of the album. Seriously. The content just screams “real shit” with every bar.
The third joint One of a Kind takes a little bit more of a ballad approach. This right here showcases Kublakai’s diversity at its finest. The first 3 songs on the album move from a hard hitting yet slow tempo punchline track, to a much faster paced reflective joint that gets your mind running, to a vibe joint with Kubie’s raspy ass voice singin’ the hook – which transitions nicely into Fall. The fourth track on the album, Fall, is your standard simp-ish, kinda emo hip hop love song that’s becoming prevalent in the next generation of hip hop. You can thank Kid Cudi, Kanye West, and Drake later. What? I’m not hating. I dig that shit. Have you heard my music?
I wish Kubie would’ve pushed more marketing and more of an online conversation with his song Top 5, it’s the perfect joint for that. It got me thinking. It got me wanting to tell people who my Top 5 were. It would’ve been cool to see more of a call to fans on Facebook and Twitter, or wherever, to converse around the topic and create word of mouth for the song and the album. That’s just me though. My whole educational background is in marketing. That’s the kind of shit I think about. Anyways, track 6, Scholar, a good song. Good intellectual content. But this is the first point on the record where I started to feel myself getting bored with the music.
Just in the knick of time, Rock That $#!+ happens. You know, the type of joint that makes you want to hear it performed live, or at least bang your head so hard in your car driving down the road that you’re forehead is hitting the steering wheel. The remix at the end of the album is dope, too.
The next couple of songs, Vegas and Like its our Last Day is where I finally start to drift. Both songs just feel like filler tracks to me. Not weak pieces of music by any means, but they were the only 2 songs on the album that I didn’t want to listen to again an hour later. I’ve been knockin’ the album all week, and when I do, these songs never get any play. I think Vegas has marketing potential to focus on that geographic location and maybe pick up some attention there, but beyond that, I didn’t really care for it. Maybe I’m just bitter because I’m still pissed off about having to hear New York by Jay Z and Alicia Keyes on the radio a billion fucking times.
Word. Kubie refocuses me with Torrid and Place the Blame, a couple more simper tracks like Fall, but much more depressing. Right up my alley. I told you I like that shit. I write enough music about my relationships problems, sometimes its refreshing to hear someone else bitch about theirs. Oh, and In The Ether… dope.
Overall a good album in my opinion. I listen to a lot of indie hip hop from the NW, really it’s almost all I listen to. I try to be as familiar with the scene as possible. But there’s only a small handful of artists ’round here that I’m truly a fan of. And it’s dope because they’re close enough, and small enough, that I can reach them. Besides the response from fans that’s the most rewarding part of being a music artist, getting to work with these kats that I’m a fan of. By the way, I’ve got some upcoming shows in Oregon and Washington with Kublakai. Stay posted for more information. Until then, I’m going to tell you one last time…
Go download Kublakai’s The Basics 2 for FREE. Right now.
Much love.
